Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022
Samizdat, 2022

Samizdat

Photobook by Roberto Aguirrezabala

Samizdat is a work that reflects on the intellectual dissident movements that emerged in Eastern Europe. It delves into the underground resistance that tried to circumvent censorship by publishing books, magazines and newspapers banned during Soviet hegemony. These were known as samizdat, a word of Russian origin that means self-published. They had a strong impact in all communist countries, particularly in Czechoslovakia, following the signing of the manifesto known as Charter 77. Most of its signatories were arrested, banned from writing and publishing, and relegated to jobs far removed from their intellectual activities. Due to severe reprisals by the secret police service, it became necessary to take the movement underground once again. It was more important than ever to keep intact the channels used to distribute free and independent information. It was in this context that emerged a hidden organisational structure for the printing of banned books, free speech manuscripts and unofficial gazettes. Rudimentary techniques such as the use of multiple carbon paper copies when typing documents on a typewriter, were used. These techniques produced very few copies, which were passed person-to-person via an underground distribution network.

The Samizdat photobook comprises three sequentially linked books or chapters. Each with its own individual design, paper type and narration, and each containing different types of photographs. As the story progresses the narrative changes. The book sets out as an ironic souvenir, a memory in the form of a photo album with postcards on glossy gold-coloured pages, wrapped in delicate Japanese screen-printed paper. The mocking tone culminates in the decoration of a Russian soldier for the liberation of Prague. The section closes with the dreamlike image of the medal, also gilded. Such reverie interrupted without respite, moving on steadily through the documentary. Russian tanks are shown invading Prague in 1968, the revolution is violently repressed. At this point, the book becomes hard, metallic, and silver in colour. The pages extend sideways, some up to a metre wide, with fold-outs stacking up with impossible die-cuts. The photos of the occupation literally invade the table where the book is displayed, transferring the invasion to the physical format of the book. It is then that the book gradually delves into the underground life of the resistance. And like a cinematic sequence, the plot progresses through a clandestine scenario, starring the opposition insurgents. The story speeds up. Frequent references to intellectuals and activists emerge, drawing attention to important acts of resistance. Here the narrative becomes a continuous, relentless, flow of linked images, unbounded by the limits of the page.

Samizdat is available in a limited edition of 45 numbered and signed copies, in reference to the 45th anniversary of the signing of the Charter 77 manifesto, which will be celebrated in 2022. Each copy contains numerous original silkscreen prints and various interventions, using folding and cutting techniques. The book is enclosed in a cross-case with Japanese clasps, which bestow an outer form more akin to a box or container. The entire run has been intervened, screen-printed and hand-bound by Roberto Aguirrezabala. Which underscores the self-publishing nature of the samizdat concept, as the source for the work. The author deploys his current line of research in this work, in an attempt to merge artistic and intellectual processes with artisan procedures, in which self-production is vindicated as an act of resistance.

Buy it now

Awards

Credits

Concept, edition, design, photography, drawing, text and compilation of historical images: Roberto Aguirrezabala

English translation: Interwords Global Services

Printing: Laboratorio para el arte by Estudios Durero

Original screen prints on pages of this book: Roberto Aguirrezabala

Hand folding and binding: Roberto Aguirrezabala

Description

Print Run: Limited edition of 45 copies + 5 artist’s proofs

Measurements: 18,5 x 23,5 x 3,5 cm (closed) y variable dimensions (open)

Papers: Sirio Gold 230 gr, Sirio Platinum 125 gr, Symbol Tatami Ivory 135 gr, X-Per Premiun White 250 gr, Freelife Oikos 100 gr, Bib Tengujo Washi 8 gr, Kawashi Washi 35 gr, Pop set Black 120 gr.

Cover: Linocolor screen-printed fabric and a screen printing process with thermal transfer of a flocked for the title.

Binding: Sewn with black linen thread with the sewing on view.

Case: Enclosed in a cross-case with Japanese clasps

Publication date: 2022